HANDMADEDesign is a young discipline. A process engineered at the beginning of the industrial age that first and foremost developed function and derived beauty from it. Up until today, function was the trademark of industrial and serial design, reluctantly giving in to the emotional and the ephemeral. But man started to tire of function alone and evolved to decor, surface effects and inlay techniques, blending industry, art and design; a movement which is making a revival at this current time. Then came a moment of great innovation, aerodynamic design and streamlined form. Traffic sucks, so why not start your morning off with some music? You provide the toast and we’ll provide the jams. Silkworm has a bunch of solid albums, but. What followed was a time of space- age shapes and science- fiction volumes: our fascination with form for form’s sake was born. Function became remote and voice- controlled and morphed into virtuality, giving function an ungraspable quality. Thus arrived matter and the development of our fingertips as important consumer tools. Material development became a major focus of the art and design worlds, the concept of second skin was born, forecasting a future of genetic engineering and human cloning. Search the world's information, including webpages, images, videos and more. Google has many special features to help you find exactly what you're looking for. Handcraft more than ever is a strong direction for the future. Since the two past decades, we have seen an increasing interest in handmade; first to rediscover nearly. Buy The Bud Light River City Rockfest tickets from the official Ticketmaster.com site. Find The Bud Light River City Rockfest tour schedule, concert details, reviews. The more virtual life became the more tactile we wished to become. Matter called for colour to make up its mind and express its mood, ultimately making colour the overruling reason to select an outstanding work of design. When design had acquired a sense of function, decor, shape, matter and colour, the insatiable and by now global market, requested more. It needed a code, or a name, or a logo, or all of those, so it invented and perfected the brand: a passport to international shopping pleasure. With this last step, the world could sit back, relax and contemplate a century of learning, accumulating in a completed and perfected design process. Today, we experience a need for reflection and we feel a need to rethink the (non)sense of design. The globalisation of the world as one market has brought about shopping boredom and uniformity with the alternative boutiques gradually disappearing in favour of chain stores, chain couture, chain food – and chain coffee houses. The idea that not only people in Paris, London and New York should live and consume the same, yet that the masses of Mumbai, Shanghai and Dubai will also do so seems stifling and impossible. Global marketing will eventually come to a standstill, making way for outsider brands and Sunday artist creations. The local will feed back to the global and will animate world brands to become passionately interactive and reactive. Introducing local colour and craft along the way. To answer this growing global resistance to constant renewal and limitless expansion, humanity and integrity are requested for the years to come. It is time to empower goods with a new dimension; their own character, an invisible energy locked into the design process. I believe that we will be able to make the object, concept, or service come alive to be our partner, pet or friend, and to relate to us on a direct and day- to- day level. Only when design will be empowered with emotion will we be able to create a new generation of things that will promote and sell themselves; they will have acquired an aura able to seduce even the most hardened consumers on their own terms. Only then will design have acquired soul. Craft holds this promise: the turn of this century has witnessed a return to the arts and crafts movement in a step- by- step repetition of the last turning of the centuries. Haunted by similar fears and interested by a similar vision, designers and artists have once more taken on the handmade and the hand- finished with absolute fervour. The growing influence of an all- encompassing digital fantasy world has triggered an enormous quest for the manual and the tactile, with our fingers deciding through feeling long before our eyes start judging form and volume, and with manually- powered production coming back to the fore. The realisation that we have to stop destroying our planet has made young designers adamant to produce ecologically and locally, thus creating less polluting proposals, reviving natural dyes and returning to timber, fur, hide, textile, ceramic and glass; original arts and crafts materials. In many cases the works come in limited numbers or on commission, and therefore minimise the damage done to the planet. The crafted and handmade cottage industries currently flourishing in many countries are employing regionally and create a small yet reliable local economy. A movement we see blooming, bringing production back to our doorstep once again. Collaborations between designers and craftspeople have opened up new dialogues across borders, often bridging language boundaries with the simplicity of visuals, colours and materials; contemporary designers such as Tord Boontje, Stephen Burks, Fernando & Humberto Campana, Natalie Chanin, Forma Fantasma, Front and Hella Jongerius (amongst many others) are helping to keep artisan techniques alive by designing small- run products that gain a lot of international attention. Taking advantage of the internet and supported by design- savvy distributors such as Afroart, Aid to Artisans, Artecnica, Editions in Craft, Heartwear, Mokeybiz and Zen. Zulu, developing communities have successfully been taught to be more self- sufficient and independent, maintaining their identities while telling their stories to the world market. New computer technologies are also contributing to the craft revival with laser cutting, digital printing and robotics, recreating a space for fantasy and embellishment. With the promise of industrial technologies capable of making one- of- a- kind piece- by- piece productions, the reign of the artisan will be supreme since prototyping will have to be both unique and by hand. Last but not least, this period provides a moment of reflection concerning our planet and its history of slavery and exploitation, and therefore the humanitarian aspect of production is becoming a key question of our times. Can we still accept the enslaving of young workers around the world, women and children included? How is it possible that we can produce a shirt cheaper than a croissant? Somebody must be suffering in this chain of making, selling, reselling and retailing; buying cheap merchandise will become a guilt- ridden activity and therefore will gradually disappear. The world is now focused on the history and identity of merchandise, labelling products as “designed by” as well as “made by”. With a consumer ready to embrace the rare, the unravelled and the irregular in this quest for soul in a product, the arts and crafts movement is back at the forefront of fashion and design. The ritualistic qualities inherent to the making of the craft object or the symbolic quality in the concept of a human service will gradually become more important; in a quest for experience, consumers will want to embrace a spiritual dimension and select merchandise to appease this inner need. Some craft items will become new design collectibles within a matter of decades, and already we see the prices of some textiles, objects and artworks escalating to greater and never- before imagined heights. Using regional roots, local colour and universal references related to earth, animals, gardening and home. Living an unplugged yet wired lifestyle, considering rural romantic sources of inspiration, craft and design will merge to inspire a new more self- conscious and mature consumer to be. A consumer that becomes the curator of his or her own life. L. E. On sunday march 1. Lidewij Edelkoort will be in Dubai for a public seminar on “What Design can do for the Future?”www.
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Kongregate free online game F.P.S. The Dead Pixel Society are loose, and ruining the ASCII d. Play F.P.S. Der kostenlose "Adobe Flash Player" spielt Flash-Animationen auf Ihrem PC ab. Adobe Flash Player Der "Adobe Flash Player" macht Ihren Browser fit für die Darstellung. Programmers can implement Flash software using an IDE such as Adobe Animate, Adobe Flash Builder, Adobe Director, Flash. Develop and Powerflasher FDT. Adobe AIR enables full- featured desktop and mobile applications to be developed with Flash, and published for Windows, mac. OS, Android, i. OS, Xbox One, Play. Station 4, Nintendo Switch, and Wii U. Content- providers frequently. However, after the 2. Flash on Web sites declined. Third- party IDEs such as Flash. Develop and Powerflasher FDT also enable developers to create Flash games and applications, and are generally similar to Microsoft Visual Studio. Flex applications are typically built using Flex frameworks such as Pure. MVC. Popular games developed with Flash include Angry Birds, Clash of Clans, Farm. Ville, Adventure. Quest and Machinarium. Adobe introduced various technologies to help build video games, including Adobe AIR (to release games for desktop or mobile platforms), Adobe Scout (to improve performance), Cross. Bridge (to convert C++- based games to run in Flash), and Stage. D (to support GPU- accelerated video games). D frameworks like Away. D and Flare. 3D simplified creation of 3. D content for Flash. Adobe AIR allows creation of Flash- based mobile games, which may be published to the Google Play and i. Tunes app stores. Flash is also used to build interfaces and HUDs for 3. D video games using Scaleform GFx, a technology that renders Flash content within non- Flash video games. Scaleform is supported by more than 1. Unreal Engine, UDK, Cry. Engine and Phyre. Engine, and has been used to provide 3. D interfaces for more than 1. Film and animation! Wubbzy! El Tigre: The Adventures of Manny Rivera, Danny Phantom,Happy Tree Friends. The company was founded by Charlie Jackson, Jonathan Gay, and Michelle Welsh. Flash was a two- part system, a graphics and animation editor known as Macromedia Flash, and a player known as Macromedia Flash Player. Future. Splash Animator was an animation tool originally developed for pen- based computing devices, but due to the small size of the Future. Splash Viewer, it was particularly suited for download over the Web. Macromedia distributed Flash Player as a free browser plugin in order to quickly gain market share. As of 2. 00. 5, more computers worldwide had the Flash Player installed than any other Web media format, including Java, Quick. Time, Real. Networks and Windows Media Player. As Flash matured, Macromedia's focus shifted from marketing it as a graphics and media tool to promoting it as a Web application platform, adding scripting and data access capabilities to the player while attempting to retain its small footprint. In 2. 00. 0, the first major version of Action. Script was developed, and released with Flash 5. Actionscript 2. 0 was released with Flash MX 2. UI components, and other advanced programming features. The last version of Flash released by Macromedia was Flash 8, which focused on graphical upgrades such as filters (blur, drop shadow, etc.), blend modes (similar to Adobe Photoshop), and advanced features for FLV video. Macromedia was acquired by Adobe Systems in 2. Macromedia product line including Flash, Dreamweaver, Director/Shockwave and Authorware is now handled by Adobe. In 2. 00. 7, Adobe released Adobe Flash CS3 Professional, the first version released under Adobe, and the ninth major version of Flash. It introduced the Action. Script 3. 0 programming language, which supported modern programming practices and enabled business applications to be developed with Flash. Adobe Flex Builder (built on Eclipse) targeted the enterprise application development market, and was also released the same year. Flex Builder included the Flex SDK, a set of components that included charting, advanced UI, and data services (Flex Data Services). In 2. 00. 8, Adobe released the historic tenth version of Flash, Adobe Flash CS4. Flash 1. 0 improved animation capabilities within the Flash editor, adding a motion editor panel (similar to Adobe After Effects), inverse kinematics (bones), basic 3. D object animation, object- based animation, and other advanced text and graphics features. Flash Player 1. 0 included the first in- built 3. D engine (without GPU acceleration), that allowed basic object transformations in 3. D space (position, rotation, scaling). Also in 2. 00. 8, Adobe released the first version of Adobe Integrated Runtime (later re- branded as Adobe AIR), a runtime engine that replaced Flash Player, and provided additional capabilities to the Action. Script 3. 0 language to build desktop and mobile applications. With AIR, developers could access the file system (files & folders), and connected devices (joystick, gamepad, sensors) for the first time. In 2. 01. 1, Adobe Flash Player 1. Stage. 3D, allowing for GPU- accelerated 3. D rendering for Flash applications and games, on desktop platforms such as Microsoft Windows and Mac OS X. The Flash source file format is a proprietary format and Adobe Animate is the only available authoring tool capable of editing such files. Flash source files (. Flash movie files (. Adobe Animate. Note that FLA files can be edited, but output (. Flash movie files are in the SWF format, traditionally called . Flash Video files. For content in a single format (such as just text, video, or audio), other alternatives may provide better performance and consume less CPU power than the corresponding Flash movie, for example when using transparency or making large screen updates such as photographic or text fades. In addition to a vector- rendering engine, the Flash Player includes a virtual machine called the Action. Script Virtual Machine (AVM) for scripting interactivity at run- time, with video, MP3- based audio, and bitmap graphics. As of Flash Player 8, it offers two video codecs: On. Technologies. VP6 and Sorenson Spark, and run- time JPEG, Progressive JPEG, PNG, and GIF capability. Flash Player 1. 1 introduced a full 3. D shader API, called Stage. D, which is fairly similar to Web. GL. Flash Video has been a popular choice for websites due to the large installed user base and programmability of Flash. In 2. 01. 0, Apple publicly criticized Adobe Flash, including its implementation of video playback for not taking advantage of hardware acceleration, one reason Flash is not to be found on Apple's mobile devices. Soon after Apple's criticism, Adobe demoed and released a beta version of Flash 1. GPU hardware acceleration even on a Mac. Flash 1. 0. 2 beta, released December 2. Flash Player supports two distinct modes of video playback, and hardware accelerated video decoding may not be used for older video content. Such content causes excessive CPU usage compared to comparable content played with other players. Software Rendered Video : Flash Player supports software rendered video since version 6. Such video supports vector animations displayed above the video content. This obligation may, depending on graphic APIs exposed by the operating system, prohibit using a video overlay, like a traditional multimedia player would use, with the consequence that color space conversion and scaling must happen in software. Such video is displayed above all Flash content, and takes advantage of video codec chipsets installed on the user's device. Developers must specifically use the . Flash Player internally uses technologies such as Direct. X Video Acceleration and Open. GL to do so. In tests done by Ars Technica in 2. Adobe Flash Player performed better on Windows than Mac OS X and Linux with the same hardware. Flash allows sample rates of 1. Hz. It cannot have 4. Hz audio sample rate, which is the standard TV and DVD sample rate. On August 2. 0, 2. Adobe announced on its blog that with Update 3 of Flash Player 9, Flash Video will also implement some parts of the MPEG- 4 international standards. MPEG- 4 Part 2 and H. F4. V file format. Adobe also announced that it will be gradually moving away from the FLV format to the standard ISO base media file format (MPEG- 4 Part 1. FLV structure when streaming H. The final release of the Flash Player implementing some parts of MPEG- 4 standards had become available in Fall 2. Flash Player 1. 0. Beta incorporates acoustic echo cancellation. Scripting language. It is an enhanced superset of the ECMAScript programming language, with a classical Java- style class model, rather than Java. Script's prototype model. Specifications. It did this in response to many new and often semi- open formats competing with SWF, such as Xara's Flare and Sharp's Extended Vector Animation formats. Several developers quickly created a C library for producing SWF. In February 1. 99. Morph. Ink 9. 9 was introduced, the first third- party program to create SWF files. |
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